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Usually despatched in 2 - 3 working days. Martha Argerich - The Legendary Recording. Martha Argerich piano.


Mazurkas, Op. 59 (Chopin)

Argerich performs with such white-hot intensity that it scarcely feels like a studio recording. Her volcanic energy can leave you scrambling Chopin: Complete Mazurkas. Janina Fialkowska piano. At her best, she is truly among the truly great.

Mazurka for Piano in F Sharp Minor

In this latest release her authority, imagination, pianistic command and stylistic flexibility are profoundly impressive Texturally translucent, View full details Listen to samples. Chopin - Ballades, Mazurkas, Polonaises. Piotr Anderszewski piano. Anderszewski's musicality makes organic sense of the whole recital.

Parts, Versions, Transpositions

It lives and breathes just as movingly as a whole as it does within any one of the miniatures in isolation, and that is a very Argerich plays Chopin. She was only 18 at the time, yet this belongs with other great interpretations for its mixture of poetry and virtuosity. At once shy and passionate, the performance is atmospheric in clean mono Usually despatched in 8 - 10 working days.

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Chopin: Piano Works. Use the Sostenuto middle Pedal to sustain low bass notes in certain passages. Avoid consistent pedalling with bar lines. Hold the pedal when the harmony does not change, especially across bar lines.

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Rolled Chords: Always pedal with the fifth finger of the left hand. Play on the "edge" of the keys in order to stretch as far as possible.

Listen and adjust! The Soft Pedal is the "killer" of piano tone in the treble.

Fryderyk Chopin Institute

Special performance tip: Use the soft pedal to make an out-of-tune grand piano sound temporarily a little better by playing only on two strings instead of three. Rubato means "robbed" literally. Meaning, time that is borrowed at one point in a phrase must be "paid back" later in the phrase. In other words, if one slows down, one must speed up later in order to maintain balance in the phrasing.

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  • Mazurka for piano No. 1 in F sharp minor, Op. 6/1, CT. 51;
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They are the key to understanding flow and pacing, and thus serve as guides to rubato. Subsequent short note values should move forward. Left hand accompaniment should slow down considerably.